What does typography become when it stops transmitting content and starts behaving as a living system? This project begins with a rejection of the Modernist doctrine that equates typographic value with clarity. Morpho-genic Syntax asks what it might mean to design letterforms not as static vessels for fixed language, but as dynamic substrates where meaning emerges, mutates, and outgrows legibility. If clarity is a doctrine, then what forms might arise when we design for ambiguity?